A fine reading of W.S. Merwin’s narrative poem of 19th Century Hawaii

We were fortunate to be in the audience last night for a special event, a reading by Pualani Kanaka‘ole-Kanahele of selections from W.S. Merwin’s narrative poem set in 19th century Hawaii, “The Folding Cliffs.”

A repeat is scheduled for Sunday evening, October 13, in the McCoy Studio Theater at Maui Arts & Cultural Center, 7pm. If you’re over on Maui, I highly recommend it.

The evening was presented by the Honolulu Museum of Art and The Merwin Conservancy. It was the first in a series of readings over the next six months “in memory of the conservancy’s founder, poet and environmentalist W.S. Merwin.”

Merwin’s poem is in the style of Robert Penn Warren’s “Chief Joseph of the Nez Perce: A Poem“, a similarly long, rambling narrative that tells the story of an era. Published in 1983, I expect that Penn Warren’s work must have been on Merwin’s mind as he launched on the six-year long project that became The Folding Cliffs.

From the program notes:

In this special presentation, Dr. Kanahele, a longtime friend of Mr. Merwin, will read from his epic Hawaiian narrative poem “The Folding Cliffs”, and will discuss Merwin’s masterwork through a kanaka maoli lens. “The Folding Cliffs”, published in 1998, is a thrilling story, in verse, of nineteenth-century Hawaii. It tells the story of an attempt by the government to seize and constrain possible victims of leprosy and the determination of one small family–Ko‘olau, Pi‘ilani, and their son, Kaleimanu–not to be taken. Merwin’s verses tell of the perils and glories of their flight into the wilds of the island of Kaua‘i, pursued by a gunboat full of soldiers.

In any case, even if you can’t get to either reading, you can still read Merwin’s book.

I ran across this snapshop taken with William and Paula Merwin in December 1995 at their home on Maui after a few glasses of wine. I’m so glad it wasn’t lost.


Discover more from i L i n d

Subscribe to get the latest posts sent to your email.

2 thoughts on “A fine reading of W.S. Merwin’s narrative poem of 19th Century Hawaii

  1. Jim Albertini

    I remember well, William Merwin joining in a march in the early 1990s lead by Aunty Pua Kanaka’ole -Kanahele to save the Wao Kele O Puna rainforest from 500 megawatts of geothermal development. His solidarity to save the rainforest and respect Pele was much appreciated.

    Reply
  2. Jim Kraus

    Hi, Ian,

    I saw you at Aunty Pua?s talk, but didn’t have a chance to talk to you afterward.

    I got to know Merwin in the 70s when I was organizing poetry events with other UH grad students and faculty. Then Scribners published a biographical/critical essay that I wrote about him in the mid-90s.

    In any event, I think that one of the big influences on Merwin’s work with The Folding Cliffs was Dante. His translation of The Purgatorio was published 14 months after the release of Folding Cliffs. There’s much more that could be said about relationship between Dante’s images of human despair, the struggle for release and themes of The Folding Cliffs . . .

    I remember that he wrote nationally about the Wao Kele Rainforest protests, but I don’t recall the particulars . . . maybe in The Nation or New Yorker.

    Also, Pua mentioned his involvement with the Protect Kahoolawe Ohana, so I’m wondering if you have recollections of that. . . .

    Reply

Leave a Reply to Jim Albertini Cancel reply

Your email address will not be published. Required fields are marked *

This site uses Akismet to reduce spam. Learn how your comment data is processed.